Brisbane Ekka Residency - Day 7

There was one Pavilion I hadn't sketched inside (although I had done the exterior) and that was the Woolworth's Food Area. I made a beeline there first thing this morning and had a great view of all the Providores before there were too many people.

I got two done in this area and was able to sit comfortably at a table and paint in two directions. I enjoyed a Merlo coffee while watching these energetic and efficient baristas at work. They were delighted when I showed it to them. #merlomoments

The second one done in this spot was of Ilias the Greek and Butch's Smallgoods.  Just enough people around to get social atmosphere. The guys in the foreground were all wearing some uniform shirts having coffee before jumping up and disappearing. I knew that would happen so just blocked them in. Temporary patrons who have somewhere else to be asap!

I keep checking my Ekka map to see if there is any spot I have overlooked and I realised that I hadn't gone the whole length of the horse stable area. I can't stay away from the animals for long it seems.
This horse is called Warrego Landadon aka Hank and I swear he was motionless when I chose him to sketch but as soon as I started he became very curious and moved his head every which way. Consequently I have three different views of him. After his modelling session he then went off to compete in the Showjumping.

I finally made it to the Lumberjacks from Canada! It was a very funny show with a couple of death defying acts climbing the high pole. I decided to try and paint the whole setting including the audience. The lumberjacks were too far away to get much real action or detail. At least I finally found them!

And finally another onlooker took this photo of me at work below. I was in the back row of the grandstand, as high as I could get.

Another productive day. The question I get asked most often is what am going to do with all the drawings and paintings. Well I will do some larger paintings on canvas when I get back into the studio after the Ekka is finished and will show them at some stage.
If you want to keep posted just check in here occasionally!

Artist in Residence at the Ekka - Day 5

Today I am starting with my last image first as it is the most colourful so far and shows how my confidence to work quickly is growing as I warm to my subject matter. I had a grassy spot to sit and view this "Fishing Tent" in the Family Fun area. That is a black cut out angler on the roof although he looks a bit more sinister than a fisherman.

My first picture of the morning was this view of the main arena including the iconic clock tower.  There was some horse action, a bit of dressage and later some trotting. I have tried to indicate both. I was working on this one when I did the Channel 9 interview. For the people in the far grandstand I did draw actual people, in a blind contour drawing kind of way, looking more at the people than my paper.

This image of people grew in an organic way. I just grabbed whoever I could see at different stages in the Al Fresco area outside the Fine Arts Pavilion. I do these people sketches in my downtime, whenever I am having a coffee myself. Exhibition Station is in the background.

Finally made it to the Cattleman's Bar and yes I did have drink and a chat, and patrons were very interested in what I was doing. It is no exaggeration that these people were all on their phones. I used a different paper for this one, a brown craft paper with a swish of shellac and some pastel primer. I have all sorts of papers in my folder all cut to a standard size.

And here is the evidence!

This is me working on the sketch of the Cattleman's Bar, sitting directly opposite.

Still haven't made it to the Lumberjacks from Canada!

Ekka Artist in Residence Day 3

When you ask people what they actually like about the Ekka, the answer is usually "the cows" and then "the cakes" so I thought that today I'd better get a spot in front of the cake cabinet before it got too crowded.

As I sat doing this, I was recognised by a few Dalby people (due no doubt to me mentioning my origins on the ABC story) which was lovely.

Apparently you are not allowed to photograph the cakes due to design copyright but as you can see I caught several people doing so. Yet another example where the sketcher is accepted where the camera is not.

I should mention at this point that there is a large behind-the-scenes room for the use of stewards, that I have been given access to for tea/coffee and having a breather. I was chatting to one of the stewards about what people associated most with the Ekka. I mentioned the wood-chopping and how I intended to include that.

Steward; "Did you know we have Lumberjacks from Canada here this year"?

Me;  "Lumberjacks from Canada"?

Steward;  "Would you be interested in sketching Lumberjacks from Canada? The're just here for the Ekka."

Me; "Yes I think Lumberjacks from Canada are definitely something that as Artist in Residence I should give some attention to..."

I headed to a tent where I found Stockmen (not Lumberjacks) but thought them well worth drawing. They moved so fast it was very difficult to capture them but this gives a general impression, particularly of the bright orange flame each was using to forge a horseshoe.

I headed towards the wood-chopping arena and found the Jack and Jill cross saw competition in progress. This view gave me an opportunity to sketch the crowd in the opposite grandstand. This drawing covers several events including the tree climbing event. Again everything was fast moving. (no lumberjacks here)

By this stage of the day I had done a fair bit of fine pen work and felt like splashing some paint around. Crossing Gregory Terrace however I saw these white cranes against the blue sky and had to stop to record that. There was quite a queue for the Strawberry Sundae.

I finally decided that to really splash some paint I would have to head to the Garden Clubs and I did this side view through the bromeliads to the orchids.

Lumberjacks will have to wait!

Royal Queensland Show - Ekka Residency Day 1

Today was my first day as Artist in Residence at the Royal Queensland Show 2016.

My plan is to draw and paint on location at the Ekka and record as much as I can visually, sort of like a visual correspondent. These small vignettes can later be worked up into something larger in the studio, although the freshness and authenticity of the on location sketch is all I am aiming for at this stage.

It is only two days since I arrived back in Brisbane from my stint in Manchester teaching at the Urban Sketching Symposium (more about that in another blog post). Still not fully functioning on all cylinders due to jet lag.

Today my plan was to just get a feel of the atmosphere once again. I spent the morning in Side-Show Alley just inside the Bowen Bridge Road gate.

I just grabbed a few images from different directions, the grandfather on the right, the carousel and a couple of tents in the background. A bit of a warm up sketch.

By this stage I had received a call from ABC TV who wanted to film me working and do a quick interview so I stayed in that general area. This second image is of a couple of the rides outside the Show-bag Pavilion. This is the one that features in the TV news from tonight. 

I intend to get to as many parts of the Show as possible and I know from past years that the big cows are only there for a couple of days. After the judging is done they vanish and I was determined to capture them early in the piece.

These ladies ( Herefords) were all lying down tired after  their judging so were relatively still. The owner was very happy for me to sit next to her and work. 

This one was quite quick as the cows (Shorthorns) were shuffling around and soon they all stood up and were marched off somewhere.

My overall impression of the day was that many things have changed. The Ekka evolves each year. I find it wonderful to get up close to animals particularly big ones. I think I will try and do a mixture of subjects each day. There is simply so much visual information in every direction you care to look. 

It is a great privilege to be able to do this.

And finally a picture of me at work.

Robyn Bauer